In the Turbine Hall people can interact with the 'Bodyspacemotionthings' piece by Robert Morris. Although I consider it a wonderful example of Arte Povera from the seventies as well as a ground-breaking work of art that the audience can physically engage with, it is questionable how many people there this weekend understood its importance or meaning. With hundreds of kids running around it looked more like a giant playground. But that is not essentially a bad thing, of course.
Michelangelo Pistoletto with his wife, performing the piece Newspaper Sphere at Tate Modern:
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